Reviewing the Competition

Either this week or next week, I plan to write a column about the issue of jealousy. Or envy.  The two are not the same, obviously, but not everyone knows that. The reason I bring this up, the reason I’ve been thinking about it, is that I have mentioned the jobs and awards that certain cartoonists have earned in conjunction with my criticism of their work. Am I jealous of them? Not of their careers, certainly not of their work, but I do think it’s relevant to point out when people get praise that they don’t deserve at the same time that others who do better work are ignored. It shows that the system isn’t working. In the meantime, I thought I would give some critiques of cartoons that came out over the last day or two.

Cartoon by Gary Varvel -
Alas, the benighted form of the obituary cartoon once again rears its ugly head. How long did it take Randy Bish to Photoshop this thing? Personally, I bet I could do the whole thing in under three minutes. Not that time of execution determines whether or not a cartoon is good, but man, this time it really shows. Once again, here is my critique of the obituary cartoon: it doesn’t say anything. Not only is it hardly revealing of anything, considering the fact that we already know that George Jones is dead  without even reading the cartoon, but the cartoons doesn’t even point out anything  about him that we would find interesting.

130942 600 Bush Library cartoons

My problem here is less with the execution than with the dishonest politics. Steve Breen is a nice guy and I consider him a friend, but as a self-defined Republican with a brain, he has to indulge in some cognitive dissonance. 10 years after the US invasion of Iraq, it is widely understood that there was no intelligence failure whatsoever. The Bush Administration was never misled by the CIA or anyone else. They knew that there was no evidence whatsoever that Iraq possessed weapons of mass destruction. In fact, they repeatedly pressured the CIA to give them evidence that didn’t exist. It’s time for Republicans and other defenders of the Bush years to stop talking about intelligence failures and admit what really happened: that Bush lied us into war.

130941 600 Dam Austerity cartoons

Here my complaint is about the format. This sort of metaphor using big block letters is so out of date, it’s hard to imagine that anybody under the age of 75 would be moved by it.

 

Cartoon by Kate Palmer - Syria's Bashir al Assad-color
Since I have been picking on Nate Beeler, it’s nice to be able to point to this one as an example of a cartoon that I quite enjoyed. This is a point that can’t possibly be made enough: Pres. Obama has largely continued the George W. Bush legacy. Granted, since the cartoonist is a Republican is a chance that the point that he was making was that this validates Bush. Whatever. What matters is that the point is solid and that it’s based on truth.
Cartoon by Kate Palmer - Syria's Bashir al Assad-color
Clay Bennett used to be one of the hardest hitting cartoonists anywhere, and this one harkens back to those days. I’m shocked that he didn’t get into a lot of trouble over this one. Just fantastic. My only quibble would be, as an editor, I would’ve replaced “it makes sense” with either “I get it” or “perfect.”
Cartoon by Kate Palmer - Syria's Bashir al Assad-color
Randy Bish again. This time he is equating terrorism with welfare. Or welfare with terrorism. Which is bad enough, but what really matters is that the point sucks. It’s not like there are going to be catastrophic consequences as a result of welfare, which Bill Clinton pretty much gutted anyway. If the economy collapses, if the government goes broke, it won’t be because of welfare.

From the Archives

I’m cleaning out my studio and I found this yellowing tidbit from January 8, 2011.  Still no sign of progress on this front.

photo

Need a Mac Printer?

Spring cleaning time.

I have an Epson 960 printer for Mac, along with about $300 worth of printer cartridges, that I can’t use anymore because my current iMac (OS 10.7) won’t talk to it. But if you need a good inkjet printer and you have an older Mac, I’m willing to part with it  and the cartridges. Send me $100 for the whole thing to cover shipping and my effort to schlep it to the post office and it’s yours.

Make sure you check the specs for your Mac before you get in touch.

Comics Blogger Defends Cagle

Alan Gardner produces a cartooning-news blog called The Daily Cartoonist. It’s painfully boosterish and unprofessionally written, which is why most professionals have stopped posting, or reading, it. Today, in an incredibly tacky move – even for a guy widely known throughout cartooning as a miserable hack – he runs interference for Daryl Cagle.

I’ll let you be the judge of whatever sins Daryl is guilty of.

Well, not really. Gardner has barely scratched the surface of the allegations.

He certainly has critics and detractors in the business, but in this case I find no evidence that this was a premeditated effort to capture more market space or syndicate dollars. For those cartoonists who profess to be journalists, whatever happened to asking questions, and getting context before rushing judgement to the presses?

Well, Alan, those of us who profess to be real journalists might start by seeking comment from people like me and Matt Bors, who have been at the forefront of the movement to restore professional ethics to editorial cartooning – you know, instead of childishly denying me the “privilege” of a link (it hurts, it hurts!).

Cagle has zero credibility. And now, neither does Gardner.

Daryl Cagle: The Osama bin Laden of Editorial Cartooning

I’m a busy guy. Freelance cartoons for two major newspapers, three syndicated cartoons a week, a weekly column, books, comics journalism, freelance illustrations, media appearances, and trying to catch up with my favorite shows (Walking Dead, Breaking Bad, the Partridge Family). But every now and then an existential threat presents itself that requires you to stop whatever you’re doing and respond.
Daryl Cagle is an existential threat, the Osama bin Laden of American editorial cartooning. His relentless quest to squeeze every cent out of the industry keeps leading him to new lows: aggregating cartoons into huge packages in which the cartoonists make pennies but he’s a multimillionaire (like Arianna!), repurposing editorial cartoons over and over to save time, encouraging the worst ethical practices, including undercutting already rock-bottom reprint rates, censoring comments posted by fellow political cartoonists who disagree with him from online forums, and of course plagiarism.
Now he’s sunk to a new low.
Most cartoonists can only sell to one ideological market. For example, I don’t get much traction with conservative papers. Mike Ramirez, the right-wing cartoonist, can’t sell to many liberal papers. But Daryl has come up with “Cartooning-by-Numbers.” That’s right: he sells the same exact cartoon to BOTH liberal and conservative papers! All he has to do is change a minor detail.
Here’s a cartoon he released yesterday. This is very, very, far-right stuff. After all, the whole point of Miranda Rights is that they’re a right. They’re not called the Miranda Privileges. Everyone gets them. Including accused mass murderers.130591 600 Boston Bomber Miranda Rights cartoonsAt the same exact time, Daryl released this ACLU-friendly version of the same cartoon:

130638 600 Miranda Rights ALL OF THEM cartoons

 

Daryl isn’t a good cartoonist, and does not have the respect of his colleagues, yet he is an extremely powerful man in the profession. This is because his aggregated syndication package, Cagle Cartoons, is so cheap that it is sold to about 800 newspapers (out of 1400 total) in the United States, and also overseas. His blog, which encourages cartoonists to self-plagiarize, is widely read by younger cartoonists and very influential. So this sort of thing could easily catch on. After all, who wouldn’t want to double their marketshare with a few strokes of Photoshop?

 

Fortunately, the Association of American Editorial Cartoonists (AAEC) will consider taking a stand against this sort of thing at its annual convention in Salt Lake City in June. A strong code of ethics will be discussed and possibly enacted. In the meantime, however, we are seeing cartooning at the precipice of disaster, commodifying a once-proud profession dedicated to political ideas into a meaningless pile of plug-in-your-own-beliefs garbage.

Crappy Toons

Another day, another dollar, and the not-so-great cartoons keep pouring in.

130631 600 Bringing the Gold cartoons

What, no sanitation workers? They had a hell of a mess to clean up after the bombing. More joyless pandering from American editorial cartoonists richest plagiarist. Again, remember the test for an editorial cartoon: if it doesn’t make any political statement, if there wouldn’t be a substantial number of people disagreeing with what it has to say, it isn’t a political cartoon, it is a greeting card. Calling first responders heroes has been standard operating procedure for lame political cartoonists ever since 9/11, and apparently it’s going to go on until the last crappy cartoonist dies.

130685 600 Boston First Responders cartoons

I hate to pick on Nate Beeler: He’s a nice guy and a good sport. Just the luck of the draw this week. Again, this one is a combo cartoon – one that praises our saintly first responders – what a risk! – But also one that makes kind of a silly point. There was a lot of reason to think that the bombings were carried out by domestic right-wing terrorists: Boston, tax day, Patriots’ Day. Those Tea Party types, they don’t like paying their taxes. You can hardly blame the media for looking into that connection.

 

130600 600 The terror marathon cartoons

Not an editorial cartoon. An illustration. All it does is tell you what is going on. It doesn’t take a stance. It doesn’t come out against or for anything. There are lots of threats. Yes. We know this. Big problem: anything that appears in a newspaper should tell you something that you didn’t already know.

130635 600 Terrorism cartoons

Now here’s something you don’t see all the time – a thoughtful, intelligent mainstream editorial cartoonist. Naturally he was recently laid off by his newspaper.

130578 600 The Fanatical Boston Bombers cartoons

Setting aside the ridiculous politics – it’s not like there haven’t been true blue American born domestic terrorists – this is a cartoon that reflects the thought process that helps ensure that there will be many more terrorist attacks against the United States in the future. Plus not try to understand what motivates these people. Let’s just dismiss them as misguided, fanatical, zealous, wicked, and my personal favorite, ungrateful. Out of curiosity, why should anybody be grateful to a country?

 

130581 600 WE ARE BOSTON cartoons

Again, an editorial illustration. A lot of people feel united with Boston. Sports were a way for people to express that. That’s what this cartoon reflects. But it doesn’t make any statement. (Finalist for 2012 Pulitzer Prize)

130587 600 I See You cartoons

And finally, let’s leave off with a statement of straightforward fascism.  Yes, it’s just so awesome to know that the government can see our every move, I am so excited I can hardly stand it.

SYNDICATED COLUMN: If We Learn Geography, the Terrorists Have Won

When You Ask “Why?,” Mean It.

Why?

Why would anybody want to kill innocent people?

That’s what Americans — led by the media reporters and pundits who set the agenda for discussion — ask after every terrorist attack, particularly those carried out by foreigners.

Our mystified national cluelessness begs the question. Why do people blow up our embassies, bomb our ships, fly planes into our buildings, (try to) blow up their shoes and their underwear? They do it (partly) because we can’t imagine why anyone would do such a thing.

Studies, particularly the ones the media trots out at times like these, point to a number of factors. Some of these may help trigger the kind of violent “self-radicalization” that initial reports indicate may have led Tamerlan and Dzhokhar Tsarnaev, Kyrgyzstani brothers of Chechen descent, to detonate a pair of bombs at the Boston Marathon last week.

Was it psychological alienation? “I don’t have a single American friend,” Tamerlan, 26, supposedly the instigator of the attack, said. A traumatic event, like a job loss or the break-up of a romantic relationship? Some studies find that some self-radicalized (as opposed to those who are recruited into an organization) terrorists are made after they suffer a disappointment that sets them off, causing a person with political rage to graduate to violent direct action. After the Fort Hood shooting, the Pentagon concluded that substance abuse, post-traumatic stress syndrome or brain injuries sustained in an IED blast could be triggers. Some even blame the involvement of Dzhokhar, 19 and suffering from multiple gunshot wounds, on reports that he was a pothead.

But hey, one could just as easily ask what drove state terrorist Barack Obama to murder thousands of innocent people with killer drones. Was the president sad after failing to win a second Nobel Prize? Did Michelle stop putting out? Did cocaine and/or marijuana scramble his right temporo-parietal junction, the part of the brain that controls the moral judgments of human beings? It’s pretty safe to say we’ll never be able to point to one, or two, or 17 discrete factors as the “causes” for the conscious choice to kill another person.

Like the drone war, the Boston Marathon bombings were a political act.

At this point, my best guess is that this was an attempt to strike back at the U.S. in its post-9/11 “great war of civilizations,” or Christian “crusade,” as George W. Bush called it. Authorities who questioned Dzhokhar in his hospital bed say that he and Tamerlan wanted to defend Islam from attack.

You can argue that the Tsarnaev brothers’ politics were wrong. That their tactics were counterproductive. That they were just “losers,” as their uncle called them. But we can’t understand why unless we dig into those politics.

Which is something that, 12 years after 9/11, the American media still refuses to do. Which increases the odds of future attacks.

Terrorism is not prima facie the act of a nut. Serial killers don’t detonate bombs. Terrorists don’t terrorize for fun.

“Terrorism [as opposed to state terrorism, like the drone wars] is the tool of the weak, used by disaffected groups or minorities to oppose the rule and (as they see it) the oppression of an established and militarily superior power,” Mark Nicholson wrote. “Because it is resistance on the cheap, terrorism often emerges out of civil society rather than state sponsorship, because oppressed civilian groups, lacking control over governmental machinery, can summon little or no regular military force able to confront their ‘oppressor’ in conventional military terms.”

We like terrorists. Some of them, anyway. During World War II German occupation forces characterized the leaders of the Warsaw ghetto uprising as “terrorists.” We view these doomed Jews, who fought to the death, as noble. The Afghan mujahedeen who struggled against the Soviets during the 1980s were terrorists to the USSR, “freedom fighters” to Ronald Reagan. The French Resistance assassinated public officials and robbed banks and bombed trains, and we love ’em for it. In movies like “Red Dawn,” we cheer the patriotic American “terrorists” who wage guerilla warfare against the invaders.

This, of course, is how radical Islamists see themselves: as heroic fighters in a resistance movement against a rapacious, cruel oppressor. (And if they prevail, that’s how history will read.) They’re not psychotic. They’re principled, willing to sacrifice everything for their cause.

Since 9/11 our leaders have repeatedly told us that “they” “hate our freedoms,” but of course this is nonsense. As Osama bin Laden remarked, if the Islamists resented liberal societies, if they wanted the world’s women all under burqas, Amsterdam would have been blown to bits. “We only killed Russians after they invaded Afghanistan and Chechnya, we only killed Europeans after they invaded Afghanistan and Iraq,” bin Laden wrote in 2004.

To ask why Tamerlan and Dzhokhar Tsarnaev did what they did (if indeed they did it), to research their political motivations with an open mind, without dismissing them as random (friendless, stoned, loser) crazies, does not legitimize their tactics.

Self-styled Islamist resistance organizations like Al Qaeda haven’t garnered widespread support because terrorism against civilians is counterproductive. As Ché Guevara wrote, “terrorism [is] a measure that is generally ineffective and indiscriminate in its results, since it often makes victims of innocent people and destroys a large number of lives that would be valuable to the revolution.”

However, as Ché continued, terrorism directed against government or military officials can be legitimate: “Terrorism should be considered a valuable tactic when it is used to put to death some noted leader of the oppressing forces well known for his cruelty, his efficiency in repression, or other quality that makes his elimination useful.” After 9/11, for example, even some Americans viewed the Pentagon as a legitimate military target. Conversely, arguments that the World Trade Center, as a hub of a “technocratic corps at the very heart of America’s global financial empire,” was an acceptable target, were rejected. The WTC victims enjoy an exalted sainthood in popular culture; grief over the Pentagon victims has always been relatively muted.

No would-be revolutionary who knows history would have targeted a civilian target like the Boston Marathon.

So, let’s agree that the brothers’ tactics sucked. That what they did was evil. But what of their political motivations?

One would have to be blind not to understand why Muslims are enraged at the U.S.: Gitmo, drones, propping up dictators, Palestine, Abu Ghraib, Afghanistan, Iraq, the list goes on and on…and yes, Chechnya — where the Russians slaughtered thousands of innocents while their American allies silently cheered them on.

But few of us know about that. Because our media didn’t report it.

Which gets us back to:

Why’d the Boston bombers do it?

To get us to pay attention.

So we’ll force “our” government to stop what they’re doing in Muslim countries.

But that’ll never happen until we know “we’re” doing.

(Ted Rall’s website is tedrall.com. His book “After We Kill You, We Will Welcome You Back As Honored Guests: Unembedded in Afghanistan” will be released in November by Farrar, Straus & Giroux.)

COPYRIGHT 2013 TED RALL

And Now the Good Stuff

So we know what shitty editorial cartoons look like. How about good ones? What makes the best cartoonists in the profession different than the dross that wins most of the prizes and hold all of the jobs? Let’s take a look.

Cut Safety Costs
Stephanie McMillan’s “Minimum Security” is – pardon the pun – a stripped-down version of the more complicated serial narrative version that ran for several years. But it retains its power through deceptively simple and hilariously designed characters provoking us to think about things in a different way. First of all, she’s ignoring Boston in favor of what is arguably a bigger story: the fertilizer plant explosion in Texas. And she’s showing how corporate America benefits from the media’s synergistic attempts to distract us with bullshit nationalism and terrorism.
You might not think of the dating implications that follow the revelation that Boston’s bombers were ethnic Chechens, but Matt Bors did. By personalizing xenophobia, he’s pointing out our stupidity – and implying the way to a better society, one in which people are judged as individuals.
The Gentrification Cycle
Jen Sorensen is at her best with social commentary work. I love her takes on class warfare. Here, she takes on gentrification, a topic with sweeping political implications that no editorial cartoonist (including me) ever does work about. And she does it with a hilarious there’s-always-someone-higher-up-the-totem-pole take.

Tom Tomorrow is the undisputed king of desconstructing right-wing and Republican talking points. His retro-1950s-esque art style has traveled well from its late 1980s origins, oddly reminding us how far we’ve come from a country that once had certain democratic traits.

Tom the Dancing Bug

Ruben Bolling is a cartoonist’s cartoonist, the person the best of the best point to when asked “Who’s better than you?” Seeking to reinvent the form every week, he takes artistic and compositional risks. Personally, I love his social commentary work even more than his political stuff. But it’s all worth reading.

01_779_383_creativity_COLOR

Shannon Wheeler does the best gag cartoons published by The New Yorker. Here is his strip. You really feel like you’re in the hands of a seasoned humorist when you read his stuff.

 

What I want to know is: Why doesn’t the Pulitzer committee reward this kind of work? Why isn’t there a single newspaper in the nation willing to hire these artists?

css.php