“Transfer Tube”
That’s the new Bush Administration euphemism for “body bag.” Really.
(From someone who found out the hardest way possible.)
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That Iranian Cartoon Contest
GOR P.J. somewhat sarcastically notes:
If the Iranians are looking for : “A Few Good Holocaust Comics”, I just KNOW you’ll have a sweet submission.
You’re the only cartoonist I know that can pull this one off…you go boy!
I dunno about you but I’D take Iranian prize money!!!
Ps. Between the Iranian reward and the Dutch uproar…you gotta be (from a creative standpoint) LOVING it!!!!
Truthfully, I never love it when people get killed in the streets. No fun, that. It’s obviously a little scary for a cartoonist to consider the potential for this sort of uproar. That said, as I’ve previously said in public, nothing is sacred. If I could think of a funny Holocaust comic, I’d draw one. So far, coming up blank. But hey, I’m only 42.
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Hannity & Colmes Postscript
Caveat dessinator.
I’ve appeared on many television programs, including on Fox, and have made deals with producers prior to appearing. Before my appearance on “Hannity & Colmes” tonight, I negotiated the following terms:
1. No mention whatsoever of my cartoons, current or previous, or my work in general. I’m just there to discuss Tom Toles’ cartoon and the Danish Mohammed cartoon series.
2. Mention my radio show.
3. Show images of my book.
I know they did 3. They may have done 2. Number 1, on the other hand, they lied about. Halfway through the discussion, after only having discussed Toles (no Mohammed), Hannity began his simpleminded “you have no heart, you have no soul” routine while displaying a fuzzy version of my Pat Tillman cartoon. Boy, did I ever feel like Charlie Brown trying to kick the football while Lucy held it.
I certainly lit into Hannity, but that’s not the point. The point is, if you go onto that show, you cannot trust their producer. If they tell you you’re there to discuss a cartoon, they may ambush you with anything and anyone they want. Just as a fellow cartoonist warned me about Katie Couric’s ambushing tendencies–I refused her show’s invitation because of this–I’m warning you now.
“Hannity & Colmes” is much worse than a right-wing shoutfest for and by idiots (yes, including me). It is run by unprofessional liars.
P.S. The producer who made these promises, perhaps because he was a college classmate of mine, apologized for ten minutes after the show, saying he was shocked when he saw the Pat Tillman cartoon queued up on the control board because he had been specifically told that it wouldn’t be there. “Be prepared for a very angry guest,” he told the technicians. He was partly trying to diffuse responsibility, but there was likely some truth to his story.
Anyway, consider yourself warned.
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Ted Rall Returns to “Hannity & Colmes”
Last night’s appearance on Joe Scarborough’s MSNBC show went awry when my limo appeared late. The driver attempted valiantly to get me to the studio on time, but alas—despite setting a new land-speed record—only managed to get me there in time to watch the end of “my” segment on Tom Toles’ controversial Washington Post cartoon on the monitor.
Tonight, however, I’ll be at Fox with plenty of time to spare, appearing on “Hannity & Colmes” to discuss both Toles’ piece and the Danish cartoons about Mohammed that sparked outrage in the Arab world. Tune in at 9 pm EST.
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That Danish Cartoon Controversy
John is one of many readers who somehow felt I might have something to say about this:
I’m a weekly reader of your column and cartoon and I’m a fan of most of your writing. I just wanted to see what your opinion is of the recent blurbs about the Danish newspaper apologizing and the near unanimous backpedaling by EU members regarding backlash to the 12 editorial cartoons depicting the Muslim Prophet Muhammad. I tred several cursory internet searches and couldn’t find heads or tails of the cartoons and was actually both surprised and impressed with the immediate and violent protest to this seemingly innocuous set of drawings. I think the difficulty to my internalization of this is the relative lack of sensitivity that I have as an American or westerner for outrage over symbols. Especially this level of outrage. Where does the difference in culture come from and if I can’t grasp that, how does an occupying army of 19 year olds grasp that? It seems that a set of 12 images on paper sparked a more violent protest than US occupation of Iraq and Afghanistan and in a much shorter time frame. The US government doesn’t even understand the culture of predominantly Islamic nations, let alone a reason for their own military actions.
I’m willing to bet that not a single major news outlet and possibly not even any blogs will dare to reprint those 12 cartoons today. That is fascinating and I can not grasp a single parallel in the US.
My first reaction is disgust. Why did the Danes apologize? They ought to have stood behind their cartoonist. And even if the cartoons were offensive to the point that they crossed the line (an impossibility as far as I’m concerned, but then I make my living because of freedom of the press), the editors who published them is wholly to blame. Artists create; editors censor. Once an editor signs off on a cartoon, it becomes his or her responsibility.
Sadly too few American editors seem to grasp that. They fire the cartoonist when it’s the editor who should step down.
I’m also disgusted at American newspapers who did not reprint the cartoons, if only to show their readers what the big fuss was about. How can readers judge a graphic without seeing it? I too have been victimized by this practice. My “cartoon FDNY 2011, about the firefighters after 9/11, was not nearly as offensive to actually see than it was to read about in brief excerpts.
More disgust: Why don’t press accounts reference the cartoonist’s name? They’re not “Danish magazine cartoons,” they’re cartoons by a Danish cartoonist that ran in a magazine. You see the same forced anonymity here, e.g., “a New Yorker cartoon shows a man…” There ARE no New Yorker cartoons. There are cartoons that appear in the New Yorker. It’s gross that word guys are so determined to turn cartoonists into non-persons. At least this guy might get a little PR out of this mess.
Even more disgust: Why are so many right-wing newspapers like France Soir and right-wing blogs up in arms over this act of censorship? Because it’s a chance to attack Muslims! Where were these advocates for free speech when I was dropped by newspapers like the New York Times because of my anti-Bush politics? Screaming for my head. Bunch of fucking hypocrites; they only favor free speech when they agree with it.
Which is why I refuse to join the media pile-on against the would-be anti-Danish censors: I don’t do media pile-ons, thank you. I don’t think those cartoons were particularly useful or even accurate depictions of Islam, yet I do think there’s nothing wrong with publishing them. But I’m not going to join the hounds posting them on my blog in order to seem all pseudo-brave and shit.
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Ayman al-Zawahiri Sums Up Bush
Al Qaeda’s newest number two said this aboutthe Generalissimo:
“Butcher of Washington, you are not only defeated and a liar, but also a failure,” he said, speaking of Mr. Bush. “You are a curse on your own nation and you have brought and will bring them only catastrophes and tragedies.”
You know things are fucked up when the terrorists make more sense and tell the truth more often than our supposedly elected officials.
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Pashtunwali
Chris notes:
Good points in your column on embedded journos who want to “play soldier.” When Woodruff and Vogt were wounded, I saw a piece on ABC’s World News Tonight with a nifty little computer graphic of the convoy and the attack. Did you know the reporters were in the point vehicle, standing up in the open hatches? That seems downright foolhardy, since point is commonly regarded as a more dangerous place to be. I wonder if this is SOP? Also, your mention of peshtunwali reminded me of a Northwest Frontier anecdote. The future Lord Roberts and a single companion were on a mission near the Khyber Pass, surrounded by people who were ostensibly their enemies. Yet they were completely safe, for they had extracted a promise from a local mullah to provide protection. Some tense moments occurred, but their personal bodyguards, who would kill them at any other time without a second thought, were prepared to give their lives in their defense since they had given their word. Not surprising the British were highly impressed by Pathans, Afridis, etc, and recruited from such “warrior races” as often as they fought them.
One last thing: if they’re gonna push it so much, couldn’t they have found a more attractive word than “embedded?” It always sounds to me like a bad case of chiggers or toe fungus. Perhaps it’s a not so subtle joke by the boys in the Pentagon, letting their true feelings for reporters show.
I just like the anecdote. It’s supported by personal experience as well as testimony of countless Afghan travelers.
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Ted Rall is 25 Across
Sharp-eyed reader David points out that, as he puts it, I’ve achieved a new level of celebrity: I was an answer to yesterday’s New York Times crossword puzzle. That really is kind of amazing to this boy from the Ohio burbs. On the other hand, it is a pretty damned hard puzzle.
