Here’s an interview recorded yesterday in response to online chatter about this week’s syndicated column.
Obamabots Column Inspires a Cartoon
The brilliant conservative cartoonist Mike Lester drew this cartoon in response to my column this week. Part of me feels badly for giving ammo to the Right, but hey, when it comes to The One’s cult of personality I’ll freely admit that they’re…right.
UPDATE: Actually, it was pre-inspired. He drew it April 25th.
Told you he was brilliant.
It Ain’t Just Me
The always useful website Antiwar riffs on my column and tells of their own marginalization by the “War Party”. Definitely an interesting read.
“V” Canceled by the Network
Noooooooo! Say it isn’t so! I still haven’t caught up with Season 2, but Season 1 was awesome. Why is it so hard for politically-tinged dystopian sci-fi to stay on the air?
SYNDICATED COLUMN: Rise of the Obamabots
Stifling Liberal Dissent Under Obama
After they called the presidency for Obama, emails poured in. “You must be relieved now that the Democrats are taking over,” an old college buddy told me. “There will be less pressure on you.”
That would have been nice.
In the late 1990s my cartoons ran in Time, Fortune and Bloomberg Personal magazines and over 100 daily and alternative weekly newspapers. I was a staff writer for two major magazines.
Then Bush came in. And 9/11 happened.
The media gorged on an orgy of psychotic right-wing rhetoric. Flags everywhere. Torture suddenly OK. In a nation where mainstream political discourse was redefined between Dick Cheney on the right and libertarian Bill Maher on the not-as-right, there wasn’t any room in the paper for a left-of-center cartoonist. My business was savaged. Income plunged.
My editor at Time called me on September 13, 2001. “We’re discontinuing all cartoons,” she told me. I was one of four cartoonists at the newsweekly. “Humor is dead.” I snorted. They never brought back cartoons.
McCarthyism—blackballing—made a big comeback. I had been drawing a monthly comic strip, “The Testosterone Diaries,” for Men’s Health. No politics. It was about guy stuff: dating, job insecurity, prostate tests, that sort of thing. They fired me. Not because of anything I drew for them. It was because of my syndicated editorial cartoons, which attacked Bush and his policies. The publisher worried about pissing off right-wingers during a period of nationalism on steroids.
Desperate and going broke, I called an editor who’d given me lots of work at the magazines he ran during the 1990s. “Sorry, dude, I can’t help,” he replied. “You’re radioactive.”
It was tempting, when Obama’s Democrats swept into office in 2008, to think that the bad old days were coming to an end. I wasn’t looking for any favors, just a swing of the political pendulum back to the Clinton years when it was still OK to be a liberal.
This, you have no doubt correctly guessed, is the part where I tell you I was wrong.
I didn’t count on the cult of personality around Barack Obama.
In the 1990s it was OK to attack Clinton from the left. I went after the Man From Hope and his centrist, “triangulation”-obsessed Democratic Leadership Council for selling out progressive principles. Along with like-minded political cartoonists including Tom Tomorrow and Lloyd Dangle, my cartoons and columns took Clinton’s militant moderates to the woodshed for NAFTA, the WTO and welfare reform. A pal who worked in the White House informed me that the President, known for his short temper, stormed into his office and slammed a copy of that morning’s Washington Post down on the desk with my cartoon showing. “How dare your friend compare me to Bush?” he shouted. (The first Bush.)
It was better than winning a Pulitzer.
It feels a little weird to write this, like I’m telling tales out of school and ratting out the Vast Left-Wing Conspiracy. But it’s true: there’s less room for a leftie during the Age of Obama than there was under Bush.
I didn’t realize how besotted progressives were by Mr. Hopey Changey.
Obama lost me before Inauguration Day, when he announced cabinet appointments that didn’t include a single liberal.
It got worse after that: Obama extended and expanded Bush’s TARP giveaway to the banks; continued Bush’s spying on our phone calls; ignored the foreclosure crisis; refused to investigate, much less prosecute, Bush’s torturers; his healthcare plan was a sellout to Big Pharma; he kept Gitmo open; expanded the war against Afghanistan; dispatched more drone bombers; used weasel words to redefine the troops in Iraq as “non-combat”; extended the Bush tax cuts for the rich; claiming the right to assassinate U.S. citizens; most recently, there was the forced nudity torture of PFC Bradley Manning and expanding oil drilling offshore and on national lands.
I was merciless to Obama. I was cruel in my criticisms of Obama’s sellouts to the right. In my writings and drawings I tried to tell it as it was, or anyway, as I saw it. I thought—still think—that’s my job. I’m a critic, not a suck-up. The Obama Administration doesn’t need journalists or pundits to carry its water. That’s what press secretaries and PR flacks are for.
Does Obama ever do anything right? Not often, but sure. And when he does, I shut up about it. Cartoonists and columnists who promote government policy are an embarrassment.
But that’s what “liberal” media outlets want in the age of Obama.
I can’t prove it in every case. (That’s how blackballing works.) The Nation and Mother Jones and Harper’s, liberal magazines that gave me freelance work under Clinton and Bush, now ignore my queries. Even when I offered them first-person, unembedded war reporting from Afghanistan. Hey, maybe they’re too busy to answer email or voicemail. You never know.
Other censors are brazen.
There’s been a push among political cartoonists to get our work into the big editorial blogs and online magazines that seem poised to displace traditional print political magazines like The Progressive. In the past, editorial rejections had numerous causes: low budgets, lack of space, an editor who simply preferred another creator’s work over yours.
Now there’ s a new cause for refusal: Too tough on the president.
I’ve heard that from enough “liberal” websites and print publications to consider it a significant trend.
A sample of recent rejections, each from editors at different left-of-center media outlets:
• “I am familiar with and enjoy your cartoons. However the readers of our site would not be comfortable with your (admittedly on point) criticism of Obama.”
• “Don’t be such a hater on O and we could use your stuff. Can’t you focus more on the GOP?”
• “Our first African-American president deserves a chance to clean up Bush’s mess without being attacked by us.”
I have many more like that.
What’s weird is that these cultish attitudes come from editors and publishers whose politics line up neatly with mine. They oppose the bailouts. They want us out of Afghanistan and Iraq. They disapprove of Obama’s new war against Libya. They want Obama to renounce torture and Guantánamo.
Obama is the one they ought to be blackballing. He has been a terrible disappointment to the American left. He has forsaken liberals at every turn. Yet they continue to stand by him. Which means that, in effect, they are not liberals at all. They are militant Democrats. They are Obamabots.
As long as Democrats win elections, they are happy. Nevermind that their policies are the same as, or to the right of, the Republicans.
“So what should I think about [the war in Libya]?,” asks Kevin Drum in Mother Jones. “If it had been my call, I wouldn’t have gone into Libya. But the reason I voted for Obama in 2008 is because I trust his judgment. And not in any merely abstract way, either: I mean that if he and I were in a room and disagreed about some issue on which I had any doubt at all, I’d literally trust his judgment over my own. I think he’s smarter than me, better informed, better able to understand the consequences of his actions, and more farsighted.”
Mr. Drum, call your office. Someone found your brain in the break room.
Barack Obama and the Democrats have made it perfectly clear that they don’t care about the issues and concerns that I care about. Unlike Kevin Drum, I think—I know—I’m smarter than Barack Obama. I wouldn’t have made half the mistakes he has.
So I don’t care about Obama. Or the Democrats. I care about America and the world and the people who live in them.
Hey, Obamabots: when the man you support betrays your principles, he has to go—not your principles.
(Ted Rall is the author of “The Anti-American Manifesto.” His website is tedrall.com.)
COPYRIGHT 2011 TED RALL
Newsflash: Muslims Abused By Army
Yet article about Muslims getting treated like shit in the military.
What the hell were these idiots thinking? Don’t. Enlist.
Rall 2012 Campaign Update
Given the intense interest in my plans to seek, or not seek, or avoid, running for president next year, I would like to announce here that I will tweet an update to facebook about my campaign, or not, at some point.
Also, I will apparently need one billion dollars. Please send via PayPal.
Political Discrimination
You can’t be fired–or refused employment–because of your gender, race, sexual orientation, or (if you’re over 50) age.
How about politics?
Currently it’s legal to discriminate against someone because they’re a Democrat, Republican, or whatever.
I think that should change.
Just saying.
Pornography Found in Obama’s Compound
WASHINGTON–The new Revolutionary Council announced that pornography has been found in the compound of deposed US president Barry Obama.
Among the titles of films found on thumb drives in Obama’s lair were “Nude Ninja Assassins,” “Lusty Libyans,” and “Milton Friedman Meets Long Dong Silver.”
“Since he didn’t lift a finger to work on the nation’s problems, he had lots of time on his hands,” said Mike McGee, a spokesman for the revolutionary government. “And that’s not all he had on his hands.”
Cartooning in Crisis
I wonder if editors who cancel cartoons know the effect they have on the profession. Hardly a month passes when a colleague doesn’t call to tell me that he or she just got that one cancellation that pushed them over the edge into making their strip or editorial cartoon unviable.
It’s death by a thousand cuts. Or maybe a dozen. Editors have to balance their budgets. Hard to believe, but for some that $15 a week just has to be cut. So cut they do.
If they think about the cartoonist they probably think, it’s just one paper. He’s in 140 papers. He’ll be fine. And other editors think the same thing. The next thing you know, you’re down to 90. And 80. And 50. That’s what Tony Ortega, editor of the Village Voice, tweeted about me recently. You’re doing fine. Why are you complaining? He canceled me a few years ago. After cutting my pay from $100 to $50. I still get emails from Voice readers asking why I’m not in there. I wish they’d write him, not me.
So cartoonists are quitting. They have bills to pay, and families to feed, and they have to do their best to make ends meet. The ranks are thinning. Among some of the good cartoonists whose work we have lost recently are Lloyd Dangle and Tim Krieder. Funny Times runs an old comic strip by Nina Paley. It’s so fucking good. But it never got off the ground because editors didn’t want to buy it. Have to keep Apartment 3-G.
That’s the killer part. If the economic shakeout were hitting crappy cartoonists hard, while elevating good ones, it would be fine with me. In fact, the exact opposite is happening.
The cartooning award season just ended. It was depressing. Almost all the major awards went to old-fashioned cartoons whose humor is out of Bob Hope or the Three Stooges. “Alternative” cartoonists—i.e., those who do decent work—were locked out.
That’s the way it has been in the big newspaper round-ups. New York Times Week in Review, Newsweek, Washington Post, USA Today on Friday—all are dominated 99.99% by hackwork. If anything, they’re becoming more small-c conservative. The editors actively discriminate against good work. It’s crazy, because it drives away readers. They still do it.
Same thing with hiring. Good cartoonists like Jen Sorensen and Matt Bors aren’t able to get staff jobs. Good cartoonists like Stephanie McMillan don’t get picked up for syndication. All the high-paying gigs, and many of the little ones, are going to unadulterated hacks.
The only wonder is, in such a Bizarro World of Aesthetics, in which the better you are the worse you do, why anyone still sticks around.