Chicago Red Eye on YOLD, TAAB

There’s an interview about YOLD and a look back at “To Afghanistan and Back” eight years later with Chicago Red Eye newspaper.

From the lede:

“It was a disaster. Like Bush, he didn’t have anything new to say–just more of the same. There’s no end in sight, no point to the carnage to come, and still no reason to be in Afghanistan. Obama reminds me of Nazi Germany. Here’s how: Even at the bitter end, the Germans were using trains they needed to transport troops to the front for the Holocaust instead. It was pure insanity! The U.S. is dead broke, possibly on the way out, just like the USSR–and we’re expanding an optional war? What the hell is wrong with Obama? What the hell is wrong with us for putting up with him?”

That was the response I got from Ted Rall when I asked him for his thoughts on President Obama’s address about Afghanistan this week. A provocative statement to say the least, but Rall is quite accustomed to saying things that people may not want to hear.

Publishers Weekly Interview on YOLD

Publishers Weekly magazine has published an interview with me about “The Year of Loving Dangerously”:

Remember the 80’s? The legwarmers and the feathered hair and the cheesy guys named Chad? Remember Ronald Reagan and Bernie Goetz and the very first hints of the AIDS epidemic? Well, Ted Rall does and, along with artist Pablo Callejo, he’s wrapped it all up into a gorgeous whirlwind of a memoir. The Year of Loving Dangerously (published this month by NBM) tells the story of what happened to Rall in 1984, when he was kicked out of Columbia University and found himself very close to living on the streets of New York City.

Having just been dumped by Philippa, the love of his life until then, Rall goes on the romantic lam. He meets ladies in bars and pizza joints, and, with a combination of cheerful opportunism and terrified despair, trades nights of love for a place to crash. Rall is known first and foremost for his political cartoons, but, man, he knows how to tell a story, too. Through his travails, YOLD not only paints a sharply detailed portrait of the Reagan era, with its slick trading floors and its back-alley addicts, abandoned by society, but also tells a larger human story of getting by. To see the young Rall hustle for survival in a cold-hearted city is to feel what it’s like when you’re yanked from your comfort zone, and forced to come up with all the answers on the fly. PW Comics Week was able to talk with Rall, an accomplished cartoonist, about collaborating with an artist for the first time as well as revisit life, fashion, love and politics in the 1980s.

SYNDICATED COLUMN: War, More War or Morer War

Debate Freezes Out the Majority View: Get Out Now

The headline ran in The New York Times a month ago, on November 7th: “All Afghan War Options by Obama Aides Said to Call for More Troops.” According to White House insiders, Obama considered three choices for digging our way deeper into the “graveyard of empires”: General Stanley McChrystal, commander of the occupation forces, asked for 40,000 additional soldiers. Defense Secretary Robert Gates wanted 30,000 more. Other generals wanted to send 20,000 more.

Obama, reports U.S. state-controlled media, has chosen the “middle option”—30,000 more troops, bringing the total American occupation force to 98,000.

Obama is many things: cool, calm and collected. What he is not is unpredictable. Give the man a middle course, a happy median and a compromise to choose from, and he’ll split the difference every time. “Hope”? “Change”? Awesome campaign slogans. The posters will make handsome collectibles.

The weirdest aspect of this Afghan spin game is that everyone is buying into it. Most American voters, after all, are against the war in Afghanistan entirely. (52 percent say the war isn’t worth fighting, according to the latest ABC News-Washington Post poll. 44 percent say it is.) Objectively, therefore, the “middle ground” is immediate withdrawal.

(I don’t know what’s to the left of that. Retroactive withdrawal? We’d need Superman to do his flying around the world superfast thing for that, though, and I hear he got laid off last year.)

The real “middle ground” sure as hell isn’t Obama’s prescription: 30,000 more troops and completely out by the year 2017, by which time there’ll be flying cars and stuff, and he won’t be president anymore, and maybe the U.S. will be just a memory, so he’s writing a check he won’t have to cash.

What a joke! When you ask a bunch of generals and the secretary of defense for advice about a war, the results are pre-determined: more bang bang, more soldiers, more planes, more bombs, more coffins. The amazing part is how far we’ve traveled down the path towards all war, all the time: Obama didn’t even have to pretend to consider pulling out of Afghanistan. He didn’t even have to appoint a token peacenik to his cabinet. He didn’t even have to talk to one.

Which perfectly mirrors the media. You could read newspaper after newspaper, listen to hour after hour of radio and watch day after day of television news, and never once be exposed to the opinion that the Afghanistan war sucks and should be ended yesterday.

“I’ve seen the public opinion polls saying that a majority of Americans don’t support the [Afghanistan war] effort at all,” Mike Mullen, chairman of the Joint Chiefs of Staff, said on August 26th. “I say, good. Let’s have that debate, let’s have that discussion.”

Nice sentiment. Very small-d democratic. And if you support the war, it’s essential—no society can win a war without strong support on the homefront. But we haven’t had any debate whatsoever, as notes Steve Rendell. “Rather than airing a full range of voices on the war, prominent media have downplayed proponents of withdrawal in favor of a debate that reflects the narrow range of elite, inside-Washington opinion,” Rendell reports in Extra!, the magazine of the media watchdog group Fairness & Accuracy in Reporting.

Fareed Zakaria, a Washington Post columnist whose prognostications have consistently proven wrong since, well, always, encapsulated the corporate media’s blackout of antiwar opinions in his September 14th column. He began: “It is time to get real about Afghanistan. Withdrawal is not a serious option.”

Which is exactly what they used to say about Vietnam. Until we withdrew. And guess what? Nothing happened. Southeast Asia didn’t turn communist. The dominoes didn’t fall. Nowadays, even ex-“sky pirate” John McCain receives a warm welcome when he visits Hanoi. Of course withdrawal is a serious option. It’s the only sane one.

The nation’s two leading newspapers set the tone for the lack of debate in Washington. “In the Washington Post,” found a FAIR study of op-ed pages during the first ten months of 2009, “pro-war columns outnumbered antiwar columns by more than 10 to 1: Of 67 Post columns on U.S. military policy in Afghanistan, 61 supported a continued war, while just six expressed antiwar views.”

It’s the same story—or lack of story—a six-hour drive up I-95. “Of the New York Times‘ 43 columns on the Afghanistan War, 36 supported the war and only seven opposed it—five times as many columns to war supporters as to opponents. Of the paper’s pro-war columns, 14 favored some form of escalation, while 22 argued for pursuing the war differently.”

There was only one major exception to the “bring ’em on” din. Times columnist Bob Herbert, said the report, is “by far the loudest antiwar voice in the study period, and the author of the majority of the Times’ seven antiwar columns.”

Alas, as it was in George Orwell’s Oceania—where the “resistance” was a figment of the ruling Party’s imagination—so it is in our own Ministry of Truth-run publications. Even though Herbert’s December 1st column opposed Obama’s escalation, he parroted the official state media line that Afghanistan had once been, in pundit parlance, the “right war at the right time.”

“There was every reason for American forces to invade Afghanistan in the immediate aftermath of September 11, 2001,” he wrote. “But that war was botched by the Bush crowd, and Barack Obama does not have a magic wand now to make it all better.”

Actually, there was no reason whatsoever for the U.S. to invade Afghanistan after 9/11:

On 9/11 Osama bin Laden was in Pakistan. He has been there ever since.

There were only two Al Qaeda training camps in Afghanistan on 9/11. Both had been closed. There were, and remain, hundreds of camps in Pakistan.

There were very few Al Qaeda members in Afghanistan on 9/11—by some estimates, fewer than two dozen. All were low-level. The big fish and the big numbers were and remain in—you guessed it—Pakistan.

This information has been known by experts on South and Central Asia, all of whom—not coincidentally—oppose the U.S. war against Afghanistan. But none of them have ever been invited to the nation’s op-ed pages…much less a meeting with the president.

(Ted Rall is the author of the graphic travelogue “To Afghanistan and Back” and the book “Silk Road to Ruin: Is Central Asia the New Middle East?” His website is tedrall.com.)

COPYRIGHT 2009 TED RALL

SYNDICATED COLUMN: Rise of the Young Codgers

a.k.a., Return of the Generation Gap

I’m a cartoonist, columnist, writer and editor. So most of my friends are cartoonists, columnists, writers and editors. And a few publishers. One topic towers all over all others in my circle of friends: the future of journalism. Print media is in trouble; online media is ascendant. But consumers don’t pay for online content and online advertisers pay much less for x readers online than they do in print. As NBC CEO Jeff Zucker famously warned last year, the media is “trading analog dollars for digital pennies.”

But not everyone is worried. Many aspiring journalists and cartoonists in their twenties have embraced the Web. They don’t dread a future without print—they welcome it. If newspapers and magazines are going under, say these e-vangelists, they have no one to blame but themselves. “Considering most political journalism is editorializing disguised as reporting, what would be the big deal,” asks Shawn Mallow, a blogger at Wizbang.com. “Does anyone have any illusions as to which way the New York Times leans in its political reporting?”

At Techcrunch.com Erick Schonfeld adds low quality to the list of old media sins: “The newspaper industry wants to go back to the world before the Web, when each newspaper was a small media bundle packed with stories, 80 percent of which sucked…News sites can no longer capture reader’s attention with 20 percent news, and 80 percent suck.”

Remember the “generation gap”? In the 1960s and 1970s, it described the cultural chasm between rock ‘n’ roll-loving hippie Baby Boomers and their stodgy Lawrence Welk-watching parents. It came back in the 1990s, when snotty twentysomethings wrote books like “Generation X” and “Revenge of the Latchkey Kids,” deriding their Boomer elders as sentimental, selfish and unaware.

Generational détente has prevailed since then. Gen Xers born in the 1960s and early 1970s are now in their 40s, America’s culturally dominant age group. Sure they’re inheriting the country just as it’s collapsing. But whining is unbecoming when one of your own has just been elected president. Laid-off Xers (many of them canned by media companies) are coming to grips with failure, causing them to go easier on Boomers, whom they’d previously blamed for everything from global warming to blowing the chance for a revolution back in 1968. Stuff happens. We get that now. How’s that alimony payment working out for you?

Besides, we Gen Xers get along with Gen Y types, who are roughly 25 to 35 years old these days. We’re both cynical, distrusting of authority, pessimistic about our economic prospects, and dig a lot of the same music and movies. Generation gap? We’re too cool for that.

Now here come the Millennials to wipe that smug we-still-listen-to-the-Dead-Kennedys look off our faces. Generational demographic gurus William Strauss and Neil Howe define the Millennials as Americans born after 1982—at this writing, people under age 27. Gen X never saw them coming. Now they’re challenging Xers—and the generation gap is back.

This generation gap is the opposite of previous versions, in which young insurgents attacked their elders for being too arch and moralistic. Like Mulder in “The X Files,” they desperately want to believe: their leaders, their government, their corporate executives. And they really want to believe in technology. In my little world of journos, they toil on blogs like the Huffington Post for pennies or nothing at all, perfectly happy because they’re sure it will pay off someday. How? They don’t know, but “someone”—some tech company, some entrepreneur—is bound to figure it all out. When those of us in our 40s point out that there’s no evidence to support contentions such as theirs—my favorite is that online ad rates are bound to go up someday, just because—these Young Turk Millennials mock us as washed-up has-beens.

Young people mocking old people for being too cynical is weird.

According to Mssrs. Strauss and Howe, however, this clash was inevitable. Xers are one of four recurring generational archetypes in American society and in Great Britain before the colonies. (They trace these cycles back to the War of the Roses in 1459.) Gen Xers, they argue convincingly, are a “nomadic” generation. According to Wikipedia: “Nomads are ratty, tough, unwanted, diverse, adventurous, and cynical about institutions. They grow up as the underprotected children of an Awakening, come of age as the alienated young adults of an unraveling, become the pragmatic, midlife leaders of a crisis and age into tough, post-crisis elders…” Serious columnists aren’t supposed to quote Wikipedia, but I’m Gen X. I’m ratty. I break rules.

Millennials are a “heroic” generation. They “are conventional, powerful, and institutionally driven, with a profound trust in authority”—i.e., perfectly programmed to be intensely disturbed by Xers. If you’re the gullib—er, trusting—type, what could be more threatening than to have a generation that doesn’t believe in anything be your elders? “They grow up as the increasingly protected children of an unraveling, come of age as the heroic, team-working youth of a crisis…” That last part is dead on. When U.S. society came apart at the seams in the 1970s and 1980s, Millennials’ Boomer parents smothered and coddled them. Now they’re working for Teach for America. Or at a paid internship. Something will work out. Someone will think of something. Besides, with Boomer parents, money isn’t a big worry.

A recent blog post at DailyCartoonist.com brought it home for me. “I’m starting to not comprehend Ted Rall’s politics at all,” wrote Jesse Levin, almost certainly under age 27. “His current slate of strips basically targets Obama’s lefty ineffectuality. His blog rails against Bush…Things may not be black and white, but where on Earth do ya stand as a political cartoonist? Unless you’re just an independent spraying hateful buckshot at all authority figures, I think Ted’s logic centers are failing on several levels.”

“An independent spraying hateful buckshot at all authority figures.” Sounds like the perfect definition of a Gen X pundit to me. And perfectly calibrated to piss off up-and-coming Millennials.

(Ted Rall is the author, with Pablo G. Callejo, of the new graphic memoir “The Year of Loving Dangerously.” He is also the author of the Gen X manifesto “Revenge of the Latchkey Kids.” His website is tedrall.com.)

COPYRIGHT 2009 TED RALL

And Another!

Sample:

THE YEAR OF LOVING DANGEROUSLY is undoubtedly one of the most amazing graphic books I have ever read. An incredible story made all the more captivating because it is true, Ted Rall’s account of a year of his life in 1984 after he was expelled from Columbia University, evicted from campus housing, arrested and robbed is as tangible and real of a story as was ever put on paper. Rall opens himself up to the world in this graphic memoir, laying out in detail his struggle to keep from living on the streets of Manhattan in his most unfortunate, and unforgettable, summer. Raw, honest and completely visceral, this is a book for the ages.

Check it out here

Another YOLD Review

Sample:

This was an interesting life story and it translated well to graphic form. The artist who worked on it with Ted Rall did a really good job of creating realistic artwork full of 80’s references and poignant moments. It wasn’t always perfectly consistent, but that made it a little more interesting to look at. Except for getting lost sometimes with the non-linear story telling approach, I found this book very enjoyable and a darn good read.

Check it out here

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