Can You Still Spot.us? Crowdfunding Pioneer Slumps Under APM
by Marianne McCarthy
PBS MediaShift
December 19, 2012
Can You Still Spot.us? Crowdfunding Pioneer Slumps Under APM
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SYNDICATED COLUMN: We Don’t Have the Right to Care
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U.S. Drone Strikes Equivalent of Dozens of Newtown Massacres
We don’t have the right to be sad.
We don’t have the right to be angry.
We don’t have the right to care about the 20 dead kids, much less the six dead adults or the one deranged shooter.
Our newspapers don’t have the right to pretend that we are a nation stricken by grief. Our television networks don’t have the right to put the Newtown shootings at the top of the news.
We don’t have the right to gather around the water cooler and talk about how terrible it all is.
Our president doesn’t have the right to express grief or remorse or pretend to be a human being or reference the fact that he is a parent or wipe his eye (assuming he was crying).
Our pundits don’t have the right to use this massacre as a reason to call for gun control. Our Congress doesn’t have the right to use it as a reason to propose a single piece of legislation.
Until we start caring about other people’s dead kids—and their adults—kids and adults made dead by American weapons—we don’t have the right to mourn our own.
Every couple of days, our president orders drone attacks against innocent people in Pakistan, Afghanistan, Yemen, Somalia, and, no doubt, other places we are unaware of. But we don’t care.
There is no moral or legal justification for a single one of the more than 3,100 murders committed by the U.S. via drones. The guilt or innocence of the drones’ targets is never reviewed by any legal body (the White House won’t even say how they compile their “kill lists“), the dead never have a chance to confront their accusers, and in any case the offed “militants” are not threats to the American people. They are merely political opponents of repressive regimes allied with the United States.
Moreover, the vast majority of the victims are innocent bystanders (by one count 36 civilians per militant), members of the families of the target, or people who simply happen to be at the wrong place at the wrong time.
The Newtown massacre, so tragic and pointless, would be just another run-of-the-mill, made-in-USA afternoon in the places targeted by America’s campaign of aerial terror. On March 18, 2011, for example, a U.S. drone blew up between 17 and 40 civilians and policemen in the village of Datta Khel in the North Waziristan region of northwest Pakistan. This was part of America’s nasty “double-tap” strategy.
“As the drone circled it let off the first of its Hellfire missiles, slamming into a small house and reducing it to rubble. When residents rushed to the scene of the attack to see if they could help they were struck again,” reported the UK Independent.
Not an accident. Double-taps are policy.
And we’re OK with them.
Drone strikes approved by Presidents Bush and Obama have killed at least 168 children in Pakistan alone.
And in recent months, more than 100 people have been killed by unmanned aerial vehicles (UAVs) in the same area.
And we don’t care.
Actually, that’s not fair. The truth is, we’re pro-mass murder. Barack Obama makes Adam Lanza look like a peacenik, but we love him. A whopping 62% of Americans approve of Obama’s extrajudicial drone war.
Let’s give you, dear reader, the benefit of the doubt: let’s assume you’re one of the 38% of Americans who disapproves of one man acting as judge, jury and executioner of people half a world away, seen through a video feed taken thousands of feet up. The fact remains, you probably don’t lose a hell of a lot of sleep over the drone victims. Which is understandable. You don’t know them. They wear funny clothes. They do live, after all, half a world away.
Which is why reporters don’t cover their funerals. Why the Today Show doesn’t interview their grieving relatives. Why our politicians don’t shed tears (real or imagined) for them. Which is why we don’t ask each other:
“Why?”
Even the Left doesn’t care. Not much. America’s most recent major progressive movement, Occupy Wall Street, focused on economic injustice and corporate corruption. OWS hardly had a word to say about the drone strikes that killed so many children. America’s “liberal” media—NPR, The Nation, Mother Jones, etc.—barely mention them.
Which is fine. We have the right not to care about anything we want. Including dead kids. Even dead kids killed by our missiles. Even dead kids killed by a president we just reelected by a comfortable majority.
Since we have made a collective national decision to be a bunch of coldhearted bastards, however, we have to be morally consistent. And that means not caring about our kids either. Even when they are little, cute, white, and live in Fairfield County, an upscale suburb of New York City where many reporters, editors and other members of the national media reside.
We owe it to the little, cute, brown kids we’re killing in Pakistan. Stop caring about all kids.
“They had their entire lives ahead of them—birthdays, graduations, weddings, kids of their own,” Obama said of the Connecticut victims. That was equally true of the children Obama murdered—some whose snuff videos he watched. It is also true of the children Obama is planning to murder. “We’ve endured too many of these tragedies in the past few years,” the president continued.
Not that he cares.
(Ted Rall is the author of “The Book of Obama: How We Went From Hope and Change to the Age of Revolt.” His website is tedrall.com.)
COPYRIGHT 2012 TED RALL
Hey procrastinators! You can still get something cool for Christmas.
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If you’re like me, you procrastinate on your holiday gift buying. Well, you still have a chance to get one of the coolest gifts you can possibly by someone who likes political art, especially someone who is a fan of my work. Every now and then I conduct a cartoon auction. This time, I am auctioning off your right to pick one of three cartoons for next week.
Because Christmas is next Tuesday, I am doing things a little bit differently this week. I have scheduled the auction for just three short days. The auction ends Friday morning. The way this works is, I notify you that you’ve won. I send you JPEG’s of the three cartoons that you can choose from. On or before 3 PM Eastern time, you email me your choice of the cartoon that you want. Then I send it to you by Federal Express standard overnight mail. If you choose, I will dedicate it to you or someone else. You will receive it on Monday, December 24, Christmas Eve, on or before 3 PM.
Happy bidding!
I’ll Tell You Why
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Why?
Obviously, high-powered weaponry has a lot to do with it. Still, look at China: just yesterday, the guy stabbed 22 schoolkids. So even if there were no guns, these things would still happen, albeit with lower death counts. That would be something.
The mental health system – or lack there of, for most people – is a contributing factor. Obviously, anyone who needs medical or mental health treatment should be able to get it for free. Goes without saying.
I’d like to focus on the culture of violence thing a little more, though. I don’t just mean the westerns and the cowboy go it alone mentality, although that is part of it. I mean the idea that we have in the United States that violence doesn’t just solve problems, but should be our first response to them. Look at 9/11. After the attacks, everyone will immediately wondered: which country should we invade or bomb?
No one in the media, and not many ordinary citizens, suggested that perhaps we just needed to find out who did this stuff, and ask the countries where they lived to have their police arrested them and charge them with crimes. No one asked that we take a few months in order to investigate the root causes of anti-Americanism around the world, particularly in Muslim countries.
Aggression, militarism, and deploying violence cavalierly is something that sends a signal from our top political and cultural leadership all the way down to everyone else in American society. Every time the president sends a drone to kill people without legal or moral justification, every time we go to war for economic reasons, every time we sell weapons to dictatorships, we are setting the stage, in part, for the next massacre.
It isn’t any one thing. But this is part of it.
Another Massacre Another Series of Lame Comments
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A couple of old cartoons that would work just as well in response to the Connecticut shooting spree…should I just send them out again and take the week off?
LOS ANGELES TIMES CARTOON: A New Logo for the U.C. System
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I draw cartoons for The Los Angeles Times about issues related to California and the Southland (metro Los Angeles).
This week: University of California officials said they were trying to project a “forward-looking spirit” when they replaced the university system’s ornate, tradition-clad logo with a sleek, modern one. What they got was an online revolt complete with mocking memes, Twitter insults and a petition to restore the old logo. Students and alumni have taken to Facebook and Photoshop to express their displeasure, showing the new symbol ready to be flushed down a toilet and as a permanently stalled computer operating system. One critic suggested the controversial image be tattooed on its creators’ foreheads as punishment.
SYNDICATED COLUMN: The Self-Censoring of America
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How Sellouts Are Killing Growth
Are you a sellout?
If you came of age during the 1960s, whether or not to sell out was the existential question of your generation. Which to choose? Reckless youthful abandon or corporate “adult” obeisance? Films that dealt with that quandary, from “The Graduate” to Bertolucci’s “The Conformist” launched a million rap sessions, yet Baby Boomers are sure to leave this ethical dilemma unresolved.
My fellow travelers, we of unlucky, witty Generation X, have lived constrained careers with fewer options. Coupled with shrinking financial aid for college, the dismal job market made the choice between Wall Street and the Peace Corps depressingly simple. So we Gen Xers projected the debate onto practitioners of pop culture. Vanilla Ice, Milli Vanilli and The Knack, judged all commerce no art, were shunned. Artists who cashed in could be deemed genuine, but only if they took chances and/or made decisions that were bad for business: The Clash, Elvis Costello, RUN-DMC, Nirvana.
The booms have gotten shorter, the busts longer, the class divide deeper. The long-predicted winner-take-all society has arrived. A higher share of the income generated by each economic sector goes to a select few; others fight over scraps.
The cost of integrity and the payoff for selling out have risen. So fewer Americans are taking chances.
People are holding on to jobs they hate, making it harder for young people to find work. Businesses are hanging tight, picking safe bets (stuff that worked before) and slashing budgets for research and innovation. Banks and other would-be investors are hoarding cash. As a result, fewer entrepreneurs are starting new businesses.
Everyone makes concessions to the marketplace. I pride myself on ideological consistency and calling things as I see them even if offends my fans. But I rarely put vulgar words into my cartoons because newspaper and magazine editors won’t run them. (If I lived in, say, England, I wouldn’t have this problem.)
Charles Schulz was one of the richest men in America, his work licensed on billions of dollars of merchandise, yet comics fans lionize “Peanuts” because the strip itself is edgy and relatively uncompromising—more art than commerce.
“Right now, the pressures of the music industry encourage me to change the walk of my songs,” the Somali-Canadian musician K’naan wrote recently. “My lyrics should change, my label’s executives said; radio programmers avoid subjects too far from fun and self-absorption.”
It’s easy to tell K’naan to keep it real. But it’s not realistic.
Keeping it real doesn’t pay the rent.
Selling out does.
“Good work always finds success,” an old boss assured me. What a lie! The cutout bins of bookstores and CD stores (if you can find one) provide all the proof you need. People buy what advertising and publicists tell them to buy. If a cool author falls in the woods, she might make a sound—but no one will ever find her book at the front of the store, much less getting interviewed by Jon Stewart.
When artists rely on capitalist markets—hopelessly corrupt, governed by gatekeepers who distribute and promote vacuous apolitical pabulum over work that challenges conventional wisdom—the freedom to choose integrity over selling out is a fraud.
“If this was censorship, I thought, it was a new kind—one I had to do to myself,” K’naan continued. “The label wasn’t telling me what to do. No, it was just giving me choices and information about my audience.”
Make a living or starve. Or give up your dreams and silence yourself. Can anyone call that a real choice?
We see the same “choice” in politics. Senator Marco Rubio recently embarrassed himself twice, first by pandering to the idiot base of the Republican Party, then walking back his stance on creationism.
“Whether the Earth was created in seven days, or seven actual eras, I’m not sure we’ll ever be able to answer that. It’s one of the great mysteries,” he told GQ.
After a month of ridicule, Rubio acknowledged the existence of science: “[The age of the Earth] is at least 4.5 billion years old.”
Rubio explained his reasoning: “I just think in America we should have the freedom to teach our children whatever it is we believe. And that means teaching them science, but also parents have the right to teach them the theology and to reconcile those two things.”
Science isn’t reconcilable with faith. Rubio knows that. But he also knows what would happen to his presidential aspirations if he admitted the truth.
God is a lie.
If you believe in God, you are stupid.
If you think the earth is 6,000 years old, that humans and dinosaurs coexisted, and/or that climate change isn’t real or caused by people, you are an idiot.
Since many of my readers believe in God, the words above will cost me sales and clients. Optimists might argue that being forthright about my beliefs will attract at least as many new customers. But that’s not the way the world works.
Integrity means doing the right thing even—especially—when it hurts you. But you have to question the philosophical underpinnings—and the future—of a society that requires its leaders and artists to work at Starbucks or to act stupider than they really are in order to get elected or sell records or books or whatever. Taking chances—which includes causing outrage—is how civilization tests new ideas, and how it progresses.
Not that they let you say whatever you want at Starbucks.
(Ted Rall’s website is tedrall.com. The author of “The Book of Obama: How We Went From Hope and Change to the Age of Revolt,” he is working on a new book about the war in Afghanistan to be released in Fall 2013 by Farrar, Straus & Giroux.)
COPYRIGHT 2012 TED RALL
Last Week’s Column about Reddit
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Due to a glitch, last week’s column didn’t get posted. Here it is now.
SYNDICATED COLUMN: The Malicious Mallard and Me
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How Online Popularity Contests Are Killing Politics
Luddite? Not me.
I like tech.
Played Pong, loved Space Invaders. Was obsessed with the TRS-80, Commodore 64 and Apple II. One of my first jobs, as a traffic engineer for an Ohio suburb, had me programming a Honeywell 77 computer the size of a small car; I loved those crazy punchcards (“do not fold, spindle or mutilate”), FORTRAN and the green glow of the LED terminal.
I was among the first cartoonists to put my email address on my work; I loved the instant audience feedback. Still do. So I blog and I’ve embraced social networking. I tweet. I post to Facebook. And Google Plus, though I’m not sure why. LinkedIn has the dumbest business model ever–in the middle of a Depression, it’s where jobseekers meet nonexistent would-be employers—but I use it anyway (to connect to other underemployed losers).
So. Note to people who are reading this online: I’m one of you.
Anyway, when a friend told me I should post my cartoons and columns to Reddit, I did.
Reddit, which was owned by the Condé Nast media conglomerate from 2006 to 2011 and is now its sister company, is a bulletin board whose registered users (“redditors”) post items to various categories (“reddits”): links, images, thoughts, whatever. As these entries appear, redditors can “upvote” or “downvote” them. Each reddit has a front page where posts with the highest net number of votes (upvotes minus downvotes) appear first.
“Officially, votes are intended to indicate importance and relevance to the topic, and not popularity (i.e., a Downvote is not a Dislike, it merely indicates that the redditor thinks that the submission is not worthy of making it to the front page,” according to Wikipedia. From Reddit’s FAQ: “Well written [sic] and interesting content can be worthwhile, even if you disagree with it…If you think something contributes to conversation, upvote it.”
Nice theory.
Like capitalism, it doesn’t work so well in the real virtual world.
First I posted under my name. There’s no rule against it, but it turns out Redditors dislike self-promotion.
So I created an anonymous handle.
Here’s the thing: What makes the top listings at Reddit is usually dumb. Really really dumb. Rock-bottom low-brow. Stoopid.
As I write this, here are the top three:
No matter how old I get, I will always put my fingers in these (A link to a photo of rolls of Christmas wrapping paper in a store, with the shrinkwrapping punctured on each.)
So I went diving with sharks recently but this guy couldn’t help but smile for the camera (A link to a photo of a shark that appears to be smiling.)
Malicious Advice Mallard on marriage (A link to a “meme,” a joke photo of a duck with the caption “Marriage failing? Have a baby that will fix it.”)
This is a typical mix: Fluff, fluff, fluff. Yeah, I’m biased. Whatever; I think my stuff deserves as much play as a photo of a smirky elongate elasmobranch. Thus my fake handle.
The good news is that hundreds, sometimes thousands, of Reddit readers follow the links to each of my cartoons and columns.
Then an interesting pattern occurs.
There’s an initial flurry of upposts. The item climbs. Then there’s a flood of downposts.
This mirrors what I’ve seen elsewhere online. Left or right, political content often gets an initial burst of positive responses posted by people who agree with its point of view. Popularity-based metrics like Reddit’s bring the item to wider attention, which includes people who disagree with it. Who then vote it back down.
Usually to zero.
I’ve seen the same phenomenon on other sites but it’s particularly pronounced on Reddit because of its upvote/downvote scheme. I’ll watch my cartoon soar through upvotes only to come crashing down to zero as the downvotes come in.
It’s not just my stuff. Most content with a strong political point of view gets crushed by downvoters who evidently don’t know or care about Reddit’s “vote it up if it’s interesting, even if you disagree with it” admonition. The result: political content is vanishing down the cyber memory hole. It’s still there—if you can find it. But most people won’t bother. They’ll go to Reddit’s main page, click on the funny animal photos, and leave.
It’s not just the specific political content that’s disappearing. It’s the idea of politics itself. When politics isn’t part of the dialogue online, the idea that we can and should argue about the laws and ideas that govern our society disappears from our national consciousness. People simply stop thinking about it. Those who remember to look for political content take note of the disappearance of politics and draw the conclusion that they are alone, that politics aren’t popular. If you like politics but no one you know does, you probably won’t bug others with the subject. Soon the subject starts to fade from your own brain.
What’s crazy is, politics are popular. Reddit readers read my political cartoons. They vote them up. But you wouldn’t know that from looking at Reddit.
Should you care?
As the crisis of print media continues to shrink mainstream reporting, analysis and opinion, sites like Reddit are supposedly poised to step in to fill the void. A clunky transition is inevitable.
The problem is, Michael Barthel wrote in Salon, too many online consumers and gatekeepers think they’re already awesome: “One of the weirdest things about the Web is its eagerness to obsessively criticize every other form of media except the Web itself. Traditional journalism is dying, and it’s just a matter of time before the Internet figures out a new and improved form that will make everything perfect forever,” Michael Barthel wrote in Salon in July.
Barthel was criticizing “citizen journalism.” But his web skepticism can also apply to social media’s unwitting contribution to depoliticization: “The Web seems neutral, because it is an open platform that anyone can use. But just because anyone can does not mean everyone does. The stories that get covered are the ones citizen journalists care about most, and these citizen journalists tend toward a certain social-cultural-economic orientation.”
The Internet is exciting. Old media is stodgy. But democracy will suffer unless the Web gets better at politics.
Thanks to the social-cultural-economic orientation of too many Redditors, it’s the Malicious Advice Mallard’s world. We only live in it.
Not that you can see us on Reddit.
(Ted Rall’s website is tedrall.com. The author of “The Book of Obama: How We Went From Hope and Change to the Age of Revolt,” he is working on a new book about the war in Afghanistan to be released in Fall 2013 by Farrar, Straus & Giroux.)
COPYRIGHT 2012 TED RALL
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RALL 12/5/12
Shoutout: Who Sent the Dragon Dictation Software & the Ink Cartridges?
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To those of you who are brightening my holiday season by sending me stuff from my Amazon Wish List, thanks! I’ll be dropping you a little something in the mail.
Two item, however, appeared at my door minus a shipping tag: the awesome Dragon Dictation for Mac software! I can’t wait to start using it to help save my poor hands. I have several books I plan to use it for. To the person who sent it, if you’re reading this, please email me via the “contact” link above with your mailing address so I can say thanks properly.
Same thing with the Rapidograph cartridges. Essential! I want to thank!
