Inequality | Ted Rall's Rallblog

On Jealousy

May 3, 2013•

Doesn’t matter if they deserve it: criticizing the work of a creative person who isn’t successful is mean. Not to mention pointless. If they’re not doing well, and their work sucks, the system is working.

Take on a cartoonist or writer who is raking in the cash, on the other hand, and his fans will accuse you of sour grapes. “You’re just jealous!” they’ll say.

Which is true, but also not true.

I’ll start with the not-true part.

I’ll focus on cartoonists because that’s my chosen profession, and I happen to think I’m good at it, and I sometimes issue broadsides against cartoons I think are such an insult to my profession that their shitsmeariness literally takes money out of my pocket merely by toiling in the same genre.

Lots of cartoonists make more money than I do. Yet you won’t find me tearing them a new critical asshole. Matt Groening makes more money than he can count. Is he perfect? Hell no. But as far as I can tell, he deserves every cent. Charles Schulz, Gary Larsen, Garry Trudeau, Bill Mauldin, James Thurber — all cartoonists who made or make bank. Schulz still makes tens of millions a year, and he’s dead. All got more awards than I could dream of. As far as I’m concerned, the system worked in these cases.

If my criticisms of other cartoonists were motivated by simple sour grapes, by the simple equation of he-has-more-good-stuff-than-I-do, I would attack the most successful, richest cartoonists the most. Or I’d draw a line at my level of income and fame, and grouse about everyone above it. Of course, this would delegitimize my complaints.

Some of the cartoonists whose work I criticize respond by saying that my work sucks. In other words, I don’t have standing to attack them. Which, if true, is silly: you don’t have to be a (rich) film director to have a (valid) opinion on a movie. Then they fall back on the sour-grapes argument: I’m jealous of their talent.

Indeed, I am jealous of other cartoonists’ talent. I wish I drew as well as Matt Bors, wrote as brilliantly as Ruben Bolling, had as much passion as Stephanie McMillan, as much control as Jen Sorensen, as much crossover appeal as Shannon Wheeler, as much consistency as Tom Tomorrow. None of whom, by the way, make more money or have earned more awards than I have. Which, for me, is evidence that the system is not working. They should make more money and win more awards — not than me, goddammit! — than the hacks whose crap I ridicule.

Am I jealous? Damn right, I’m jealous.

I’m jealous when people get stuff they don’t deserve.

Tom Friedman, the New York Times columnist, is one of the worst published writers in an American newspaper, an insult to logical reasoning, and more damning of all, deadly wrong about major issues. His job is to prognosticate, yet he has no ability to see past his bushy porn-star mustache. He was, for example, in favor of invading Iraq because he thought the U.S. would do a good job there. He was wrong when a lot of other people were right. He was listened to. They weren’t. And the consequences were devastating. Friedman lives in a palace. Does he deserve it? Hell no. Do I deserve it? More than him, that’s for sure.

I recently applied to a minor cartooning contest called “Best of the West.” It’s for political cartoons that run in the Western United States. Since I do cartoons for The Los Angeles Times, I applied. When the results came out, I was disgusted. This is because (a) it turned out the judge for the contest is close friends with the first-prize winner. They’re co-hosting the editorial cartoonists’ annual convention in three months. Talk about conflict of interest. I was jealousgusted (new word! use it, spread it around) by (b) by no objective standard could the first- or second-prize winners of Best of the West be judged to have done better cartoons than me or, say, Jen Sorensen, who also applied. Jen’s worst-ever cartoon is better/smarter/more political than number one or number two’s best-ever cartoon. So is mine. It’s not even close. We wuz robbed. So were others, including third-place “winner” Matt Bors. No one with eyes would put number two — who the same week published an “editorial cartoon” that, if I were on a prize committee, would have by itself have disqualified him from consideration — above Matt Bors in an editorial cartooning contest.

I bring up “Best of the West” because it literally means nothing. Well, maybe 0.02% of nothing. No prize money. No acclaim. The only reason I applied was that it’s been years since I won any prize whatsoever, and in a tough environment even 0.02% acclaim might be worth having. So just to be clear: I’m jealous. Not of Matt Bors, who got screwed as much as I did, well, slightly less, but still. I’m jealous of numbers one and two, who hold jobs, with full benefits, while I don’t. And I’m angry at the judge, because he knew — or should have known — that he made a shitty decision, and one devoid of basic ethics to boot.

Now several of my colleagues have taken me to task for talking about how certain hack cartoonists have staff jobs, with medical benefits, while I don’t. This, they tell me, makes me look petty.

Well, shit.

If the homeless veteran on the street outside the Starbucks where I am writing this sees me typing this on my shiny $3000 laptop, a $2.40 coffee cooling at my side, $650 glasses perched on my nose, is he jealous? Well, he should be. I don’t blame him if he comes in here and beats me to death. The gap between what I have and what he doesn’t have is so huge that he would literally have to be stupid and crazy not to hate me. I don’t deserve what I have, not compared to him. I don’t deserve to be the beneficiary of that gap.

Now let’s take a detour down Theoretical Lane: Imagine that — and that this is somehow provable — that by objective standards, he has led a better life than me. That he has worked harder, made better choices, been nicer, more creative, etc. Let’s further imagine that he and I both know this fact. Does he have a right to be jealous? Damn right he does. Would it be petty for him to express this fact? To tell passersby: “Hey, look at that (relatively) rich asshole in there. I spent my life saving children, creating great art and giving generously to the poor. All he’s done is draw pictures and whine about the president.”? Of course it wouldn’t. He’d have every right. Not only that, he’d be wrong not to make such a point. Because it would make a Very Important Argument: that the System does NOT work. If the system, which governs everything, doesn’t work, then everything is suspect. Clearly this calls for radical and immediate reassessment. It’s like capital punishment: a faulty tax audit is an injustice, but putting an innocent man to death represents such a grotesque and immense gap between the way things should be and the way they actually are that you have to stop executing people entirely.

I’m not comparing my loss in “Best of the West” (or, for that matter, the Pulitzer Prize) to the case of Todd Willingham, the innocent man poisoned to death by the state of Texas under Governor Rick Perry (who then tried to cover it up). What I am arguing, in certain cases, is that to reflexively accuse a critic of petty jealousy/sour grapes is to automatically assume that injustice either (a) doesn’t exist or (b) shouldn’t be complained about — in other words, to assume the role of the oppressor.

When I write about bad cartoons, I mention the Pulitzers and six-figure salaries of their creators first, in order to show my hand (a key component of integrity in arguing): I’m annoyed at said bad cartoon not because it is bad per se (there are millions of bad cartoons by, say, high school newspaper cartoonists that don’t deserve mention); and second, to make the case that the system is disproportionately rewarding those who don’t deserve it at the expense of those who do. This is important, because there are people like Lisa Klem Wilson, my former boss at a newspaper syndicate that has since gone out of business called United Media, who believe, as she said at a morning meeting, that “we live in a meritocracy. The best stuff rises to the top.” I remember thinking and saying: “What world do you live in?” When you look at, say, the list of Pulitzer Prize winners and compare them to some of the high-profile creators who lost those same years, it’s hard to see where people like Lisa are coming from. But they’ll never change their minds unless those of us who see things differently point these things out.

I am envious of anybody who has more than I do. Who, besides a monk, doesn’t want a nicer house? A bigger bank account? A good job? But I’m not angry about it, except in the generalized rage I feel about inequality in general, which informs my politics. No one deserves more anything than anyone else. To believe otherwise is to accept and enable evil.

Matt Bors won a major cartooning award, the Herblock Award, two years ago. $15,000! They cover the taxes! Tom Tomorrow won this year. I was envious, but I wasn’t jealous. They’re both great cartoonists. They deserved it. Jealousy is directed at the undeserving. As long as they have nice things that other people deserve more — a lot more — I’ll be jealous.

SYNDICATED COLUMN: Yes, I Can

November 11, 2010•

Ted Rall

Straight Talk on Balancing the Budget

The federal budget deficit is like the weather. Everybody talks about it; except for Bill Clinton, no one ever does anything about it.

President Obama’s bipartisan Fiscal Debt Commission has released a draft report that starts out with a big problem: even talking about reducing spending is insane when you’re in the midst of a Depression. The real unemployment is over 20 percent. Creating jobs ought to be the feds’ top—perhaps sole—priority.

Let the insanity commence.

Triumphant Republicans say they want to balance the budget. So does Obama. Are they serious? Of course not.

Still, theoretical budget-balancing exercises help enlighten us about where our taxdollars really go. So let’s roll up our sleeves and start some back-of-the-envelope slashing.

The 2010 federal budget shows $3.6 trillion in spending and $2.4 trillion in revenues. Net deficit: $1.2 trillion. It’s a doozy, too. It nearly 13 percent of GDP. It’s the highest since 1943, during World War II.

The goal, then, is to close a $1.2 trillion budget gap. Can we find at least $1.2 trillion in budget cuts? News flash: getting rid of the National Endowment for the Arts ($161 million in 2010, or about 0.01 percent of the deficit), ain’t gonna do the trick.

Any serious budget cutter has to start with defense. The reason is simple: it accounts for 54 percent of discretionary (i.e., optional) federal spending. It’s the biggest piece of the pie by far.

(Mainstream news reports usually state that defense accounts for 20 percent of federal outlays. But they’re fudging the facts in order to pretty up the military-industrial complex. For example, they include budget items like Social Security that no one can do anything about—they’re in a trust fund.)

Of that 54 percent, 18 percent is debt service on old wars. There’s nothing we can do about that—though that number should probably give us pause the next time a president wants to invade Panama or Grenada.

Anyway, that leaves 36 percent, or $1.3 trillion to play with. $200 billion a year goes to Afghanistan and Iraq.

Let’s pull out. We’re losing anyway.

New Deficit: $1.0 trillion.

In 2007 Chalmers Johnson wrote a book about the staggering costs of American imperialism. “The worldwide total of U.S. military personnel in 2005, including those based domestically, was 1,840,062 supported by an additional 473,306 Defense Department civil service employees and 203,328 local hires,” he wrote. “Its overseas bases, according to the Pentagon, contained 32,327 barracks, hangars, hospitals, and other buildings, which it owns, and 16,527 more that it leased. The size of these holdings was recorded in the inventory as covering 687,347 acres overseas and 29,819,492 acres worldwide, making the Pentagon easily one of the world’s largest landlords.”

We’re broke. It’s time to bring those 2.3 million men and women home. At an average cost of $140,000 per employee—crazy but true—we could save $322 billion annually.

New Deficit: $676 billion.

After Defense, the other big costs are Social Security, Medicare and Medicaid.

The obvious place to start slashing is wealthy recipients. Why should Bill Gates, worth $58 billion, get Social Security or Medicare benefits? Dean Baker sums up the traditional liberal argument in favor of giving tax money to people who don’t need it: “Social Security enjoys enormous bipartisan support because all workers pay into it and expect to benefit from it in retirement. Taking away the benefits that better-off workers earned would undoubtedly undermine their support for the program. This could set up a situation in which the program could be more easily attacked in the future.”

Yeah, well, whatever. We. Are. Broke. “Means testing”—for example, eliminating benefits for the approximately one percent of families over age 65 who earn over $100,000 a year—could save $150 billion a year.

New deficit: $526 billion.

Now let’s talk about the other side of the equation: income. How can the U.S. government scare up some extra cash?

Allowing the Bush tax cuts for the richest three percent of Americans to expire on schedule would bring in $70 billion a year. Seems like a no-brainer: anyone earning over $250,000 a year is doing awesome. Moreover, if Democrats don’t insist on the expiration of at least some of those “temporary” tax cuts, what’s the point of the deal they cut with the GOP back in 2001?

New deficit: $456 billion.

When it comes to revenues, you have to go where the money is: the wealthy. The rich have gotten richer, which is a big part of the reason we’re in a Depression again. They’re hogging all the goodies. The rest of us can’t spend.

Despite the miserable economy, there are still 2 million American households earning a whopping $250,000 or more per year. (Their average income is $435,000.) If we were to increase these super-rich Americans’ marginal income tax rate from 35 to 50 percent—the same it was during the early 1980s under Reagan—we’d bring in an extra $131 billion a year. If we raised it back to 91 percent—the top rate during the boom years between 1950 to 1963—the Treasury would collect $487 billion.

Budget SURPLUS: $31 billion.

And we haven’t started on corporate taxes.

(Ted Rall is the author of “The Anti-American Manifesto.” His website is tedrall.com.)