The always astute Norman of A Sharp Stick fame responds to this morning’s post about a pirate radio attempt to organize opposition to Bush’s looming coronation:
I checked out the CNN article on the pirate station in DC. I loved the last para:
“A third group, www.ReDefeatBush.com, seeks to focus attention on perceived voting irregularities in the November election.” “Perceived” irregularities? What a bunch of fucking wimps. When are they going to start reporting perceived bank robberies? I notice the WMDs in Iraq remain perceived, despite being reported as actual.
Salon.com Names ATTITUDE 2 One of Its Best of 2004
Salon, a website that should run my cartoons but doesn’t, reviews ATTITUDE 2 today. Unfortunately, Salon’s website has become a total nightmare to navigate thanks to a new system that forces you to watch ads before you get to the good stuff. So I’m posting the relevant section in its entirety:
Cartoonist/columnist Ted Rall has spent the last several years calling bullshit on the power brokers that have been running this country into the ground. This second anthology of up-and-coming or established alternative cartoonists is Rall’s love letter to the genre that has brought him to prominence.
“For years, I’ve been frustrated at the lack of attention generated by this genre of alternative weekly-based political and social satire cartoonists,” Rall explains over the phone, “which has been around pretty much since the late ’80s and early ’90s. And it’s true that you can argue that not all them are social or political cartoonists, or even in alternative weeklies — most of my clients are in dailies, actually — but there are certain things these comics have in common. They tend to be drawn by a certain age group; Generation X is certainly the wellspring of the first or second wave of the alt-weekly cartoonists. They feature stripped-down or abstracted drawing styles to convey complicated ideas; for that reason they tend to be wordy, text-based exercises. And since I work in that genre, I love it but am endlessly frustrated by the lack of exposure it gets. This stuff always falls between the cracks.”
Unless you’re there to catch it, which some, like Salon and other forward-looking publications, are. But no matter how much indie cred artists like David Rees, Keith Knight and Aaron McGruder receive for their outstanding work, there are toiling cartoonists like Tak Toyoshima, Emily Flake and Max Cannon who may never get the credit they deserve. Which is where Rall comes in.
“Here you have intelligent and funny comics being ignored because no one yet has pulled it all together as a genre,” Rall added. “That’s one reason why I felt these cartoonists had a hard row to hoe, because people need to have genres, to be able to categorize things. If it’s something you’ve never seen or heard before, it doesn’t fit anywhere. So the goal of the first book was to say there’s strength in numbers, and it did much better than I or my publisher ever expected. But this was before 9/11, so in a way the scene we were documenting changed right as we were putting the book to bed.” Ergo, the new book, which features interviews with the aforementioned, as well as 15 more budding Matt Groenings, many of whom deserve to be stars already.
