The News They Don’t Want You To Hear

Media silos have come down to this: each party’s cable TV news network ignores stories that are inconvenient to their party, while amplifying those that are damaging to the opposition.

I Am a Victim of Republican Cancel Culture

 
 

The debate over “cancel culture” centers around how Democratic Party, “woke” activists and politically-correct “social justice warriors” expel people from social acceptability or force them into joblessness because something they said or did provoked an online mob.

But Republicans have been canceling people for much longer.

I am living proof.

My career grew to national prominence during the 1990s. By the time Bill Clinton left office, my cartoons and columns regularly appeared in well over 100 American newspapers and such magazines as Time, Fortune and Bloomberg. My editor at the New York Times added up the paychecks and calculated that his newspaper had published more cartoons by yours truly than by any other artist throughout the decade. I had a talk show on KFI radio, a 50,000-watt megastation in Los Angeles. I won major journalism awards, including two RFKs and a Pulitzer finalistship.

Because my cartoons and columns criticized Bill Clinton and the Democrats, the right-wing censorship squads let me be. They didn’t notice that I attacked Democrats from the left. My editor at the Pittsburgh Tribune-Review, a notorious right-wing rag owned by conservative billionaire Richard Mellon Scaife, loved my stuff even though I raged against NAFTA. “You sure know how to stick it to Bill and Hillary!” he beamed. Mm-hm.

I didn’t change my politics or my style after Bush became president. After 9/11, however, I went after Republicans because they were in power. So right-wing cancel culture goons targeted me for elimination.

My website contained a list of newspapers that ran my cartoons. GOP chatrooms and so-called “warbloggers” reproduced my client list, urging Republicans from around the country to pose as angry local subscribers. Fake subscribers demanded that my work be canceled via cut-and-paste complaint email forms the bloggers and their bots helpfully provided. I took my client list offline after my cartoon syndicate figured out their scheme. But many naïve editors kowtowed to the fake readers and canceled me.

Corporate cancel culture was relatively cold, ruthless and willing to overlook the profit motive in order to promote right-wing propaganda. Radio insiders said that high ratings guaranteed your freedom of expression. Despite my strong ratings, however, I was fired after KFI got acquired by Clear Channel Communications, the right-wing home of Rush Limbaugh. “They don’t want lefties on the air,” my program manager explained. “They’re willing to lose money. Anything to censor liberals.” My replacement was unpopular; they didn’t mind.

Even liberal media outlets yielded to cancellation campaigns orchestrated by the extreme Right. Yielding to a chorus of outrage ginned up by Fox News’ Bill O’Reilly and Sean Hannity over a cartoon in which I lampooned the marketing of the war on terror, The New York Times canceled me in 2002. “We thought the subject matter was inappropriate, and do regret that it did run,” a sniveling spokesperson told the Rupert Murdoch-owned New York Post.

The Times’ regular subscribers hadn’t made a peep for a week before Hannity’s army of fools drowned the Grey Lady in cut-and-paste postcards mailed in from flyover country. But Times editors didn’t notice. Nor did they take responsibility for choosing to publish my work. I was memory-holed. The editor who approved my work remained.

In 2004 it was the Washington Post’s turn to throw me to the braying Republican hounds.

Throughout the Bush years my income shrank. No radio station would have me. I was no longer shortlisted for journalism prizes. It became increasingly difficult to get published. I received fewer invitations to speak in public.

You can easily check it out yourself, or you can take my word for it: it’s not like my work got worse. I write better now, I draw better, I speak better than I used to. What changed was that gatekeepers at American media outlets became gun-shy. They would rather publish bland material that doesn’t elicit a response than a strong opinion that generates controversy. Who can blame them? Right-wing cancel warriors, no longer content to get leftie content banned, harass and threaten editors who run it.

No account of a cartoonist’s shrinking client list over the past 20 years would be complete without noting the financial meltdown of print media in general, brutal budget cuts and a widespread practice of laying off the cartoonist first. That goes double for left-leaning commentators who have found themselves out in the cold as the 50-yard line of American politics steadily moved to the right under Republican and Democratic administrations alike.

The same thing happened on TV. ABC canceled Bill Maher; MSNBC fired Phil Donahue, Keith Olbermann and Ed Schultz, all for being too liberal.

Everyone in the media has suffered. But right-wing cancel culture accelerated both of those trends.

I have adjusted to the new media landscape. It’s tough going, but I still have a viable career.

But don’t let anyone think Republican cancel culture isn’t a thing. It is.

And it has won.

Even though there are more socialist voters than either Democrats or Republicans, the Left is out in the cold. 39% of American voters prefer socialism to capitalism. Bernie Sanders’ approval rating is 49%, which is ten points higher than Joe Biden or Kamala Harris. Yet no newspaper in the United States employs a columnist or a cartoonist who endorsed Sanders or admits to being a socialist. Nor does any cable news network employ such a host or frequent contributor. This is not normal or OK. A nation with a vibrant and free news media represents a diversity of opinion. In this respect American news outlets are more rigidly censored than those of authoritarian regimes with state-controlled media.

I oppose left-wing cancel culture. I spoke out against liberal boycotts of companies that advertised on Rush Limbaugh and Dr. Laura Schlesinger. Censorship is toxic whether it comes from the left or the right.

Mostly, though, it comes from the right, and liberals go along with it.

(Ted Rall (Twitter: @tedrall), the political cartoonist, columnist and graphic novelist, is the author of the upcoming graphic novel about a journalist gone bad, “The Stringer.” Now available for pre-order. You can support Ted’s hard-hitting political cartoons and columns and see his work first by sponsoring his work on Patreon.)

AL JAZEERA ENGLISH COLUMN: The Inevitability of Mitt Romney

“Conventional wisdom” has kept other GOP candidates at bay and ensured Romney remains the likely Republican nominee.

“Why don’t they like me?” Time magazine asked on the cover of its December 1, 2011 issue, next to a face shot of a bushy-browed American politician Mitt Romney.

According to that nebulous vapour that accompanies conventional wisdom, the former governor of Massachusetts will inevitably emerge as the Republican Party’s nominee to challenge President Barack Obama in November.

The wise white men of the media also posit that the GOP isn’t happy about it. The pundits say that Republicans feel that it’s Romney’s turn in a party that traditionally hands its top spot to the guy (Dole, Reagan, Bush, etc.) who’s been patiently waiting. The pundits also say that Republicans also feel that Romney is too liberal, too squishy, and too Mormon for a party that has been hijacked by its right-wing Tea Party faction and right-wing Christian fundamentalists based in the South and Midwest.

As these conflicting narratives play themselves out in editorial pages and news analyses, the twisted relationship between media determinism and popular democracy is being exposed in sharper relief than in any recent election.

Reporters tell us – and no doubt believe – that they are dutifully relating the Republican Party’s discomfort with Romney’s inevitable turn.

There was no mention made of a similar inevitability when Hillary Clinton, heir apparent to the Democratic throne, was vying for the Democratic nomination four years ago.

Phil Singer, adviser to Hillary in ’08, was quoted in an October 13, 2011 ABC News piece (headline: “Is Romney Inevitable?”) saying that there’s a “Goldilocks balance” to the inevitability dance: “You want to be inevitable, but not too inevitable because it takes away a sense of urgency from your supporters”, Singer said. “If you create this perception of inevitability you run the risk of seeing a more lacklustre turnout than you would need for a favourable result.” But, on the other hand, he also said that “inevitability is an asset in terms of chilling your opponent from raising money and mounting a challenge”.

But what about the media’s role in a story they’re supposed to be covering, rather than shaping? Would Romney be the widely-accepted frontrunner without their description of him as such? Would Republicans be annoyed by Mitt’s reputation as a flip-flopper – a tag that could stick to just about any politician anywhere – if the punditocracy didn’t go on-and-on about it?

Read the full article at Al Jazeera English.

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